Page extent: 260
ISBN: 9781849431118
Binding: PaperBack

The No Rules Handbook for Writers

Lisa Goldman

PaperBack (12 Apr 2012)

The No Rules Handbook for Writers is a timely, creative and refreshing antidote to prescriptive guides for writers. It will inspire playwrights, screenwriters and novelists; offer fresh insights toteachers, editors, dramaturgs, directors and producers.

Lisa Goldman takes 40 established conventions of creative writing. She explores why these rules persist, how to master them, bend or break them and why the most important rules to overturn are your own. The book weaves together industry experiences, psychological observations and inspirational tips. With practical advice from 40 rule-breaking writers:

Hassan Abdulrazzak, Oladipo Agboluaje, Ronan Bennett, Sita Bramachari, Trevor Byrne, Anthony Cartwright, Matthew Greenhalgh, Tanika Gupta, Neil Hunter, M.J. Hyland, Gurpreet Kaur Bhatti, Dennis Kelly, Bryony Lavery, Chris Paling, Stacy Makishi, Neel Mukherjee, Hattie Naylor, Anthony Neilson, Kim Noble, Tom Palmer, Lucy Prebble, Philip Ridley, Paul Sirett, Edmund White, Roy Williams.

The No Rules Handbook for Writers will be a valuable read for anyone curious about the craft, context and process of writing.

Read Lisa's exclusive blog for the London Writers' Club

...and In conversation with Aleks Sierz for Theatre Voice

Additional Information

ISBN13 9781849431118
Binding PaperBack
Page Extent 260



Shortlisted as one of The Stage's top 10 training books of 2012

'Lisa Goldman’s book is like the best of British new writing: it is personal, well-written, clearly thought out and resonant. Its advice is passionately felt but perfectly controlled. And its ideas sing and inspire.' Aleks Sierz (author of In-Yer-Face Theatre)

'Feisty, helpful, liberating stuff' The Stage

‘The rules are divided into six sections, which cover preparation, structure, style, taste, rewriting, and the profession… This is supported by the range of different voices that Goldman quotes. Each writer has his or her own particular approach to bending or remaking a particular rule. In this way, the book provides an interesting window on the practice of a range of writers… I can imagine myself, after a particularly bruising feedback session, turning to this comforting book for reassurance.’ Contemporary Theatre Review

'Full of sensible advice' Lyn Gardner, The Guardian 

'What emerges is the primacy of the writer’s unique voice, a voice that Goldman seeks to liberate rather than stifle... It is a refreshing approach that quite rightly places the writer as individual at its centre.' The Public Reviews